Scale is not real; space is relative. Comparative value is continuously engaged; singularity is impossible within the human gaze. Onslaught Undone is an investigation of spacial and experiential relativity in direct contrast to the accumulated visual, physical and aural experiences thrown at us in the digital age. “Switch off” is the frequent call to action; but “off” seems almost dead. We all want to be “switched on” and “tuned in”, a symptom of the over-stimulated, over-manipulated, too-much-information era. Through a virtually continuous conversation, artists Nemo Nonnenmacher and Stacie McCormick question the nature of contemporary experience, where disconnect becomes the unavoidable result of constant connectedness, translated into a collaboration of large-scale sculpture and gestural paintings. The two artists are riveted by the “real” and demonstrate a transformation of scale, mediating sensory input to counteract the speed of networks, creating a profound moment where the experience of the work itself constitutes an interpretation of the world.     Vesta , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Scale is not real; space is relative. Comparative value is continuously engaged; singularity is impossible within the human gaze. Onslaught Undone is an investigation of spacial and experiential relativity in direct contrast to the accumulated visual, physical and aural experiences thrown at us in the digital age. “Switch off” is the frequent call to action; but “off” seems almost dead. We all want to be “switched on” and “tuned in”, a symptom of the over-stimulated, over-manipulated, too-much-information era. Through a virtually continuous conversation, artists Nemo Nonnenmacher and Stacie McCormick question the nature of contemporary experience, where disconnect becomes the unavoidable result of constant connectedness, translated into a collaboration of large-scale sculpture and gestural paintings. The two artists are riveted by the “real” and demonstrate a transformation of scale, mediating sensory input to counteract the speed of networks, creating a profound moment where the experience of the work itself constitutes an interpretation of the world.

Vesta, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

  Europa , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Europa, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

  Ceres , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Ceres, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

  Pallas , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Pallas, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

  Interamnia , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Interamnia, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

 Scale is not real; space is relative. Comparative value is continuously engaged; singularity is impossible within the human gaze. Onslaught Undone is an investigation of spacial and experiential relativity in direct contrast to the accumulated visual, physical and aural experiences thrown at us in the digital age. “Switch off” is the frequent call to action; but “off” seems almost dead. We all want to be “switched on” and “tuned in”, a symptom of the over-stimulated, over-manipulated, too-much-information era. Through a virtually continuous conversation, artists Nemo Nonnenmacher and Stacie McCormick question the nature of contemporary experience, where disconnect becomes the unavoidable result of constant connectedness, translated into a collaboration of large-scale sculpture and gestural paintings. The two artists are riveted by the “real” and demonstrate a transformation of scale, mediating sensory input to counteract the speed of networks, creating a profound moment where the experience of the work itself constitutes an interpretation of the world.     Vesta , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm
 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View
  Europa , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm
 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View
  Ceres , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm
  Pallas , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm
 Onslaught Undone, 2019  Unit 1 Gallery | Workshop, London, UK  Installation View
  Interamnia , 2018  Acrylic and Indian Ink on Paper  250 x 155 cm

Scale is not real; space is relative. Comparative value is continuously engaged; singularity is impossible within the human gaze. Onslaught Undone is an investigation of spacial and experiential relativity in direct contrast to the accumulated visual, physical and aural experiences thrown at us in the digital age. “Switch off” is the frequent call to action; but “off” seems almost dead. We all want to be “switched on” and “tuned in”, a symptom of the over-stimulated, over-manipulated, too-much-information era. Through a virtually continuous conversation, artists Nemo Nonnenmacher and Stacie McCormick question the nature of contemporary experience, where disconnect becomes the unavoidable result of constant connectedness, translated into a collaboration of large-scale sculpture and gestural paintings. The two artists are riveted by the “real” and demonstrate a transformation of scale, mediating sensory input to counteract the speed of networks, creating a profound moment where the experience of the work itself constitutes an interpretation of the world.

Vesta, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

Europa, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

Ceres, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

Pallas, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

Onslaught Undone, 2019

Unit 1 Gallery | Workshop, London, UK

Installation View

Interamnia, 2018

Acrylic and Indian Ink on Paper

250 x 155 cm

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